Don't ask, don't tell

Normally I am put off by public displays of nationalism/patriotism/warmongering, but passing this larger-than-life-sized sign in the airport has become a high point of every flight:



That high forehead! That slightly pudgy face! Those pursed lips! That cryptic expression, bordering on the Mona Lisa's! Those shades! That trace of stubble! (I'd need to get nice and close to really capture it--something I'll gladly do, mind you, but it's not always a good idea to take too many photos in airports these days.) (And yes, I see the irony in that statement.) (I suppose you could say this guy is fighting for my right to snap and get off on pictures of him.) (And I imagine there's a good chance he'd beat the crap out of me if he knew I was thinking any of this.)

Welcome home, hero, indeed.

Promise he'll be in spandex and I am SO there

OK, OK, I'm about a month late sharing this information, but then if you take a look at the date of the last post here, you'll realize how rare it is to find anything from me these days. And if anything's gonna pull me out of my latest blogging hiatus, it's gonna be the news that this man:



is about to play this superhero:



Which is enough to make me stain my bat-tights. Not only because Mr. Reynolds has got to be one of the hottest men in movies these days, but because it means this won't be happening anytime soon, after all. Whew!

PS. The image of Hunky Hal in a Compromising Position above comes from my once and future favorite source of Lantern news.

PPS. Here's a piece of far more recent news about another Green-themed movie (which also, oddly enough, includes another peripheral reference to Jack Black).

Out of the comics & onto the streets

Finally got around to reading "The Legend of Master Legend," Joshua Bearman's "epic tale" of self-created real-life superheroes from the Dec. 25, 2008 issue of Rolling Stone. As Bearman noted in BoingBoing back when the story first ran ,

[T]he narrative at Boing Boing (and in the wider world) about real life superheroes has mostly been bemusement at the weirdos in spandex. That was my perception of the world when I started reporting. But this is [a?] most serious look at what it actually means that people are doing this, and having found Master Legend and spent a lot of time with him, I realize that what he's doing is strange, yes, but also strangely sympathetic.

Sure enough, while there's a tongue-in-cheek quality to the story, you do get the sense that our narrator believes there is more to ML and colleagues like these and these than an easy punchline. Here's a bit from the end of the piece:

This may be the real reason Master Legend inhabits a never-ending comic book in his mind, assigning everyone a character in the grand narrative. ... [T]he reality of Master Legend, a guy who has no job and lives in a run-down house in a crummy neighborhood in Orlando, is transmuted via secret decoder ring into an everlasting tale of heroic outsiders, overcoming the odds and vanquishing enemies. To the outside world, this makes Master Legend seem like a lunatic. But to the people around him, he is the charismatic center of an inviting universe. ... Being a Real Life Superhero means that Master Legend can get in his Nissan pickup and call it the Battle Truck. He can tape together a potato gun and call it the Master Blaster. He can stand in the porch light of a disintegrating clapboard house, a beer in his hand, and behold a glorious clandestine citadel. And who are we to tell him otherwise?

Who, indeed?

BONUS! Actual comments from and flame wars between some of the heroes in Bearman's tale here and on page 1 of the online version of the story.
EXTRA BONUS! Deleted material from the original story here.

Night and day

Just finished reading an essay in/on Reality Sandwich called "Attending to Dreams" by a writer who calls himself Gyrus. It's a bit dense (not a diss), and I envision rereading it a time or two, which is one reason I'm writing about it here--as a bookmark for myself. I also bring it up because I sense a connection between it and my theory that online (and offline) roleplay can constitute a kind of dreamworld. Much of the essay concerns the work of psychologist James Hillman and the notion that rather than "use" our dreams (as with lucid dreaming or psychotherapy), we should learn to "attend to" them.

Here's Hillman:

[T]his dayworld style of thinking [...] must be set aside in order to pursue the dream into its home territory. There thinking moves in images, resemblances, correspondences. To go in this direction, we must sever the link with the dayworld, foregoing all ideas that originate there [...]. We must go over the bridge and let it fall behind us, and if it will not fall, then let it burn.

That term "dayworld" reminds me of a similar phrase I like to use (in my case, as an alternative to "real world"). As for "going over the bridge and letting it fall behind us," I think about that moment that sometimes--during a particularly good solo (and very occasionally joint) roleplay session when I find myself taking a leap of faith, past the point of no return, into the abyss. (I realize that's a string of three clichés, but they somehow seem so accurate as to almost be literal.) It's like getting an opportunity commit to the reality of the dream.

No profundities here, just a memo to self that I want to find out more about both writers.

Holy cornucopia, Batman!

Thanks, Monk, for letting me know about the "fanofbats"'YouTube channel, devoted to a complete set of Adam West Bat-episodes and even the serials from the 1940s (containing what may well be the least erotic batsuit of all time). Now I can have my all-time favorite tv show at my fingertips any time of the day or night. (Technically, I've had that for years now, courtesy of a bootleg DVD set.) How vividly I remember the long wait between the first broadcast and the reruns in syndication, then waiting around for one basic cale channel or another to air the series.

Hmmm... Which sample episode should I post to accompany this news item? Let me seeeeeee ...

I was planning to go with the deathtrap many folks seem to agree is the all-time hottest--the Riddler's spinning wheel (and accompanying "sticky net"--but on my way to tracking it down, I came across a more literally hot trap, brought to us by the Minstrel (RIP, Van Johnson) :



Ah, such a treasure trove!

"Better than Prozac"

I have thought comic/film critic Frank DeCaro was hot (and hilarious) from the first time I saw him on The Daily Show, years and years ago. So imagine my delight to learn (here) that he is a fellow Batfan:



Love what DeCaro has to say about B's double life, "the fact that people speculate about his relationship with Robin," the outfit ("he looks great in lycra and leather--what more can you ask for in a character?"), "stalking Toys R Us," and especially the observation that "anyone who collects anything should never point a finger at anybody else, because ... it's all nuts." And perhaps the admonition that "you have to display it properly, because otherwise it's just a lot of crap" will inspire me to pull more of my own crap out of the basement and find a more fitting home for it in Stately Wayne Bruce Manor.

Holy virtual beefcake!

My experience with video games is largely limited to Pong, Asteroids, and Centipede, but this new one (that I first heard about from the Bat-Blog a while back) certainly caught my eye:

More Batman: Arkham Asylum News & Previews

You've got to love that cape, for starters, and I would absolutely do the grey-suited hunk wearing it, whether he's virtual or not. Let's take another look at our hero:

More Batman: Arkham Asylum News & Previews

Finally, here's one for those of you who like the ladies, featuring a Harley Quinn who's a few light years beyond the original conception of the character. (Thanks, Gray Fox, for bringing this one to my attention.)

More Batman: Arkham Asylum Info

Looks to me like there's more ass-kicking than death-trapping, but perhaps it's possible to manipulate the character so that he falls into the clutches of the Joker or gets strapped to one of the many restraint devices on view. (I do love the way the videos are all prefaced with Adult Content warnings--always a good sign.)

You'll find even more video promos for the game, some of them with audio commentary, here. And here's the official site, sure to grow more useful as more content is added in the days ahead.

Hair of the Bat

Thank you, Lycra Lord, for alerting me to this TowleRoad item on a shirtless, bearded Batman (more images from the same series here; more work by the same French photographer here and here).

As a token of my appreciation, LL, I am finally referring to you by (assumed) name, rather than as simply "a guy I know."

PS. Not sure what to say to the TR commenter whose response is

What is this, a "Tom of Finland" Batman? I don't need Batman in leather and chaps, taking pisses on other guys in sketchy Gotham backrooms. Um, no. Really. No.

other than: well, you may not "need" a ToF Bat, but sign me up. Except for the backroom "pisses," which as far as I can tell are a figment of an overactive imagination.

Who watches the Watchmen when they take their clothes off? I do! I do!

I admit I was one of those people with major reservations about the Watchmen movie. In fact, I was one of those people who didn't even want a movie to be made from the book(s).

Surprise, surprise: I liked it. A lot. Not without reservations, mind you, but given how low my expectations were going in, I left feeling pretty satisfied. It's been about 20 years or more since I read Alan Moore's original, so I was roughly halfway between a hardcore fan and a total newbie. I was joined by the Hub (who had never heard of the book, let alone read it), a friend of his who'd just finished reading the book 2 hours before the movie, and the friend's wife (who was in the same boat as the Hub)--and every one of them enjoyed it, too. Sure, it's damn violent, but the thing's about (among other subjects) how to deal with a violent world, so that didn't bother me too much. I also thought the movie did a great job at least raising the thorny moral dilemmas explored in much more detail in the book. And I appreciated the presence of a sense of humor that did not involve wisecracking heroes punctuating their gutpunches with punchlines.

But let's be honest. My favorite thing about the movie was the chance to see Patrick Wilson naked yet again (see also: Angels in America, Little Children, and this troubling spectacle). I had my doubts when I heard he would be playing Nite Owl, but I'll be damned if he didn't end up looking almost exactly like the comic book character (who is supposed to be a bit of a schlub, but I found him cute, too). Did I mention he was naked?



(Bummer! Just learned from IMDB that his 2003 New Year's Resolution was "To be in a movie or a play which doesn't require me to take off my clothes. Unless, of course, I don't get another job... In which case I'll be half-naked and whole-heartedly depressed for the rest of my career." Hey, that Plan B works for me.)

As icing on the (beef)cake, the updated outfit (shall we call it an "owlsuit"?) he wears when he finally suits up is mighty swell, too:



Not sure I bought how quickly the meek retired crimefighter transforms (back) into an asskicking, jailbreaking hero, but that scene struck me as the only one totally untrue to the spirit of the original. Not bad odds, all things considered.

Bonus for readers who actually value literary value over hunkitude: Here's a link to Beaucoup Kevin's list of graphic novels he recommends to folks who've been introduced to the medium via Alan Moore's opus.

Bonus for readers who are as shallow as me: Oh yes, there is also that gigantic blue penis in the movie.

Meanwhile, back in the real (?) world ...

I must admit, I'm disheartened by the recent murder of two policemen by the so-called "Real IRA" (brilliant name, btw, which has now inserted itself sans quotation marks into coverage of the story, thus lending legitimacy to a splinter group that doesn't appear to deserve any). It seemed for so long lately like Northern Ireland was a workable, inspirational example of actual change in a situation that had been deadlocked for decades, if not centuries--a case for diplomacy and compromise as an end to violence. (I thought it was a very smart move, a few years ago, when reps from Ireland tried to lend their experience to participants in the Palestinian/Israeli conflict, not that it appears to have done much good.) This NPR interview with BBC correspondent Audrey Carville struck me, as an outsider, as a very good analysis of the situation--the economic context in which the incident took place, the ironies involved (like the image of a former IRA leader now working with the same British police whose murders he once plotted), and just what is at stake right now. I try very hard to keep an open mind to every side of a story, particularly those that unfold on the other side of the world from me, but this feels to me like a pretty clearcut case of a small minority doing everything it can to undo years of hard work for the sheer hell of it.

On a lighter note, we have "Eye-borg," the superhero-ish moniker of filmmaker Rob Spence, a self-described Six Million Dollar Man fan who is outfitting his empty eye socket with a camera. The first interview I heard with him (which I can't find at the moment) explicitly raised the possibility that he could use his new "superpower" for good or for evil. And at Spence's website, you'll find the following video intro; note the many references to Luke Skywalker, Neo, and other fictional precedents:


EYEBORG-- The Two Week Trial from eyeborg on Vimeo.

Maybe Eye-borg can lend his services to "the Troubles."

Stretching out

I've never heard of Kosmix (which is described as "Beta-ish" in its logo at the moment), but they've heard of me, and presumably you, too. That is to say, they've got a page devoted to Spandex Fetishism. Kind of handy, I guess, since it includes Wikipedia entries, Google searches, videos, and lots of other web resources of interest to underwear perverts the world over. Check it out!

Here's a sample: a portion of an amateur video that is so completely abstract you may even have trouble figuring out the gender of the star. Now that's what I call a fetish!



(Consider the above my gift to the various het and bi males and lesbians I've befriended via this blog and our mutual fondness for stretchy synthetic fibers, no matter who happens to be wearing them.)

As a bonus, the video above led me to two more you might enjoy, starting with this homemade montage of ... well, it's pretty clear right away:



And here's an appealing little tease from an Eye of the Cyclone DVD:



I'm happy to see that "eyeofthecyclone" has a YouTube channel, since the main website is now subscription-based. I'm all for helping a fellow pervert earn an honest buck in these tough times, but it seems like the lion's share of Cyclone stuff is wrestling-related, and while there's nothing wrong with that in my book, it doesn't exactly float my boat, either (if you'll permit me to mix metaphors).

No shit, Sherlock

Lots of recent odds and ends, connections between which I largely leave to you:

1. An episode of the public radio show To the Best of Our Knowledge devoted to Sherlock Holmes and other fictional detectives. For the record, I admit to a mild Holmes fetish, particularly when he is portrayed by Jeremy Brett or Basil Rathbone, and particularly in the WWII-era Rathbone films like SH and the Woman in Green and Dressed to Kill. The real reason I like that series--films in which Holmes is moved into the present day, surely to the horror of true A. C. Doyle fans--is that they are lower than the "real" stories on detective work and higher on, you guessed it, delightfully kinky deathtraps. In many of them (I think there are at least four made back-to-back in the mid-1940s) Moriarty gets to be a Joker-style archnemesis bent on our hero's demise, more overtly than in the canonical novels and tales.

2. Another public radio show, RadioLab, recently rebroadcast an episode devoted to the subject of morality. This summary lays out the terrain:

we’ll explore where our sense of right and wrong come from. We peer inside the brains of people contemplating moral dilemmas, watch chimps at a primate research center share blackberries, observe a playgroup of 3 year-olds fighting over toys, and tour the country’s first penitentiary, Eastern State Prison. Also: the story of land grabbing, indentured servitude and slum lording in the fourth grade.

3. And speaking of morality (see, these items are connected after all!), here's a nice piece on the demise of (and ethics of) the pirated-comic-panels extravaganza Scans Daily from Johnny Bacardi. I admit it--I visited often (though never daily) in search of images that floated my bat-boat. But apparently I didn't check it that often, or I would have known that SD was no more. Easy come, easy go, I guess.

4. Finally, a link that has nothing to do with morality, but if I don't post it now I'll forget about it: Bat-Blog tipped me off to a Flash animation of Batman's utility belt. Here's a direct link to the project, which was originally intended for tech geeks and vanilla-flavored comics fanboys, but I say, bring on the belt-fetishists, too!

I assure you, the animated version is more fun than this mere frame grab:

Holy priceless collection of Etruscan snoods!

ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950, an exhibition of rare artifacts and memorabilia on view through August 9 at the Skirball Cultural Center in LA, sounds pretty remarkable. (I first learned about it through the Bat-Blog, which also directed me to this slideshow of 20 images from the show on the LA Weekly site.) The show contains such treasures as the very first sketches of the Joker and Superman, as well as the writing desk where the latter character was born and a photo of the real-life model for Lois Lane. But here's the passage from LA Weekly's blog that made me envision Joker himself, Catwoman, or any of a legion of other villains from the '66 TV show scheming to break in:

The copy of Action Comics #1, the holy grail of comics, which contains the first appearance of Superman [, is one of] less than a hundred copies ... known to exist. The copy at the Skirball is on loan from an anonymous collector and is being shown under a plexiglass cover in the "Lights! Camera! Action!" sub-exhibit one room over from the main gallery.

Heavens to murgatroyd! Have the press and museum curators of the world learned nothing since that rash of burglaries at the Gotham Museum back in the day?! Why, they're exhibiting a chunk of kryptonite, all but asking for a skirmish between Superman and some archfiend!

The Skirball also promises "stations that allow children to dress up as Superheroes or transform themselves via a quick costume change in a telephone booth"--and I ask, yet again, why is it that kids get to have all the fun in this world? But there is a serious intent behind all the interactive bells and whistles, as discussed in the blog post quoted above:

We're kind of in need of superheroes lately. That need is one of the major overlaps between the "golden age" of comic books and the present time. Hence, the Skirball's argument goes, the current resurgence of comics. And because it's the Skirball, the other major point is the Jewish connection. Without having to Wikipedia it, did you know that Stan Lee (the genius behind Spider-Man and Marvel comics) was actually Stan Lieber? And that Superman was created by two 17-year-old Jewish boys? In fact, the entire superhero genre was created by young Jewish artists in the midst of the economic turmoil of the 1930s and 40s.

If you're unlikely to make it to the show in person, you might want to consider ordering the exhibition catalogue (pictured above) from the show's home base, the William Breman Jewish Heritage and Holocaust Museum in Atlanta. In addition to photos, it includes essays from Jerry Robinson, Jules Feiffer, and Michael Chabon. I'm not sure of the page count, but at $18.50, it might just be a steal.

It's a bird, it's a plane, it's ... Milkman!

"Steve [Beery] was dressed as Robin from the Batman comics, so the supervisor introduced himself by tossing out an effectively hokey line—'Hop on my back, Boy Wonder, and I’ll fly you to Gotham City.'"

So writes Armistead Maupin in the moving introduction to a new book about the late, great Harvey Milk, as excerpted in this TowleRoad blogpost.

In related developments, I'm a little surprised and very much disappointed that Gus Van Sant's extraordinary HM biopic hasn't yet met a bigger splash in the culture at large--I was fully expecting it to be as big a hit among hets and younguns as Brokeback Mountain before it, but that doesn't appear to be the case. (One of my thirtysomething coworkers the other day asked me, in all earnestness, "Why is that movie called 'Milk,' anyway?") My personal reaction to the film was closer to admiration than transformation; it didn't change my life, but only because my life was already changed--as in politicized--years ago. Even so, I think Milk is the most honest portrayal of activism I've ever seen, capturing both the tedium of day-to-day organizing (all those bulk mailings to stuff!) and the occasional hot sex one encounters along the way (all those bulk males to stuff!).

I know it's supposed to be Slumdog's year, but I'll have my fingers crossed for Van Sant, Sean Penn, screenwriter Dustin Lance Black, and their very fine movie come Sunday night.

Nice and Terrific: the Justice League of Also-Rans

In my (so far fruitless) quest to identify a handsome supporting cast member in this 1967 Dick Van Dyke/Barbara Feldon vehicle that happened to be on tonight, I turned up one Stephen Strimpell, star of the superhero sitcom Mr. Terrific, from the same year.

The name kinda sorta rang a bell, as did Captain Nice, the other major-network Bat-ripoff from the same tv season, but I'm pretty sure I never watched either one during their brief runs (which, as TV fate would have it, started and ended on the same day). Enter our modern day Library of Babel, YouTube ...

First, an excerpt from a Mr. T episode that actually aired:



Note the set that looks almost exactly like Commissioner Gordon's office, and the cast consisting entirely of sitcom staples from the era. Now, a glimpse at the unaired pilot, with Alan "WILLLburrrrr" Young replacing Strimpell in the title role:

ct>

(Want to see the other 2 parts? You can find them by clicking on the clip itself.) Meanwhile, here's a learned-looking comparison of the Terrific Two.

Speaking of comparisons, behold this representative episode of competitor Capt. Nice, from the pen of Buck Henry:



In both cases, we've got laugh tracks, unpleasant costumes, and pained humor. On top of that, they're both struggling to spoof something that was already a spoof, which never works too well. Small wonder both have been consigned to the dustbin of history--which is still fun to revisit from time to time.

A good omen?

Handstamp at an event I attended recently:



Actual bats--some stuffed, some live, none bloodsuckers--were involved. And I had a fine bat-time.

Men in tights, then and now

Two video treats for you:

1. From TowleRoad, a music video by tights-clad Brit pop singer Will Young:



2. From BatBlog, a very brief early-80s interview with Adam West. (Note that nice shot of an ungloved Batman at the beginning.)



And, oh, what the hell, I'm feeling generous tonight, so here's a bonus #3:

Master Wayne, would you like a manwich?

Thanks to BatBlog for the heads-up on this video that has been making the rounds:



I'm not a gamer, so I don't get most of the jokes, but that doesn't bother me. I'm mainly in it for the fratboy in the (slightly odd looking) batsuit. He may be the ultimate in batdickery, but I'd watch BATtlestar Galactica with him any day.

This probably calls for a "spoiler alert" ...

... except I figure anyone who is actually following this whole Batman's-dead/no-he's-not business is probably way more up on all of this than I am. All I care about is, this is a very sexy panel, for more reasons than I can count:



Note: You can find the whole issue here, on Scans Daily. But beware, it truly will make no sense unless you really, really care about this stuff.

"I'm just a kid trying to make a difference"

News quiz:

1. Is the self-description in the subject line a quote from
a. the anonymous 14-year-old boy who spent 5 hours in uniform (sans badge and gun) on patrol with the Chicago police department, or
b. the 15-year-old Southern California boy who has become an international phenomenon with his "no-cussing" campaign?

2. Which of the above two were you more like in your mid-teens?
3. Which one of the two would you rather have a conversation with today?

The real answer to #1, and my personal answers to #2 and 3, are in the comments. Feel free to leave your own, as well.

As a reward--or possible punishment--for your score, here's the "Don't Cuss" music video:



Shit yeah!