A bat-friend of mine tells me he's custom-ordering a cape from this costume maker. He sends the photo above as a rough example of what he's getting. Out of my price range at the moment, mind you, but it looks great. As does the model!
A friend just passed along "When Batman Was Gay," a post/essay about my favorite character's oft-discussed sexuality on The Bilerico Project: Daily Experiments in LGBTQ. Not a whole lot of new stuff there, if you've spent the last few decades reading and thinking about this issue, but author Tyrion Lannister does a fine job bringing together the familiar touchstones (Wertham, the changing role of Alfred, introduction of Batwoman and Batgirl, etc.), and the illustrations are those "Subtext? What subtext?" innuendo-loaded images we all know and love.
When I read that Lannister first climbed on board the batmobile in the Dark Knight Returns era, I suddenly felt old, or saw him as a youngun, or something. But he makes a provocative point: that, while Boomers take the campy Batman of the Silver Age comics and the '66 tv show for granted, readers his age have always known a darker, butcher Knight. I was also intrigued by his assertion that Silver Age Batman's partisans miss the central reason why Batman is a compelling and fascinating figure in the first place. Batman's most important relationships have always been with criminals. What drives him to pursue them? How does he distinguish himself from his queries? How is vigilantism anything but criminal? Indeed, Batman's most provocative implications have centered around the distinction between law and justice - Batman's dedication to the latter, often at the expense of the former.
Indeed, 98% of my bat-fantasies are hero/villain, not hero/sidekick or hero/fellow hero. (Probably because there's just not much narrative tension in two guys on the same side of a conflict going at it.) Still, for me, the most eye-opening part of the Bilerico piece was not Lannister's own remarks but this comment from a reader named Brian:
As a queer kid growing up in the sixties and seventies, before I even knew what queer meant, Batman represented the ultimate in cool. He drove a cool car, wore a cool costume and lived in a cool house with a secret cave underneath it. And my secret was safe as long as his was. It didn't matter if he was gay or not. What mattered was how well he kept his secret identity. Batman helped keep millions of us in the closet (i.e. "Batcave") long after we should have taken off our masks.
Fascinating! And it's true, in my case, that the core of the Batman myth is the high premium it places on disguise, on secrecy, on masking. I'm not sure I would blame the comic for keeping me in the closet/cave, though; coming out was my own responsibility. But damn, Batman made having a double life sexy, and the requisite costuming even sexier.
... and probably won't have time to for at least a week or two, but in the meantime, ya gotta check out Dial B for Blog's "16 Days of the Batman." (The first installment is here.) This series, like the blog itself, is a pop culture treasure trove, full of artifacts both real and fabricated. (One fun fact about the '66 series I did not know: The switch in the Shakespeare bust that Bruce flips to open the secret entrance to the batcave actually turned on a light backstage, signalling the stage hands to open the doors by hand.)
PS. The image above would make a lot more sense in context, but I'm including it here anyway because the artwork in those trading cards is so damn hot.
Time for one of my signature posts on a subject about which I have incredibly incomplete knowledge. (I realize now that if I only wrote about things I know well, I would post here even less than I already do. Guess it's better to think of these entries as reminders to myself to follow through on things sometime in the future.)
I caught only random tidbits of this episode of the public radio show To the Best of Our Knowledge last week devoted to "Heroes, Anti-Heroes, and Regular Folks." I have a sneaking suspicion it's a rebroadcast, because I could swear I'd already heard the interview with Austin Grossman, author of the novel Soon I Will Be Invincible, told from the POV of an archetypal comic book villain. I've been wanting to read the book since I first heard about it, probably on some other NPR-ish program in the last year or so. And yet I have not, which further establishes my lack of knowledge!
Other interview subjects during the hour are Douglas Wolk, whose book Reading Comics sounds great, and artists/writers Ulli Lust, Roberta Gregory, and Terry Moore. I'd recommend the whole thing, except of course I haven't actually heard all of it myself. I do know I particularly enjoyed Wolk's remarks on the operatic/mythological dimensions of superhero comics, which helped me realize why, even though I am in my late 40s and therefore a grownup who should prefer grownup things like jazz, classical music, and "graphic novels" about the minutiae of everyday people's lives, I am still way more turned on by books about men in tights than about Average Joes. (Can I just say, for the record, that I have never in my life read a Harvey Pekar story I enjoyed as much, or learned as much from, as The Killing Joke, The Long Halloween, or some of the Batman: Black and White stories?)
A while back I picked up used copies of the trade paperback versions of a couple of Bat stories I knew from way back, though when they first appeared in comic book form I'd only read portions of them. I freely admit my initial interest in both was purely prurient, but as is so often the case, when I actually paid attention to the storylines I was intrigued.
Or, in its more recent but equally studly edition:
Batman: Tales of the Demon collects Dennis O'Neil's first 11 stories about R'as al Ghul. RAG is a character that I've generally found more interesting in the classic animated series and the 2005 movie than in the comics, but come on, this is the storyline that includes the images that made me gay and the single hottest comic book cover of my adolescence.
O'Neil, writing in a 1991 afterword, apologizes for the whiz-bang nature of the dialogue and faux-Marvel-isms of the narration, and seems very upset about a certain plot inconsistency, but that's hardly my concern. These stories come from the heyday of late 70s/early 80s bat-beefcake, so the musculature is always gloriously pronounced and our hero is constantly getting bonked on the head so that he can lie prone on the floor for several panels an issue. Hooray! As a side bonus, we get to see the origins of Bats' "Matches Malone" alter ego, and O'Neil rightly notes that these stories marked an important part of the character's evolution out of 60s camp and into 90s gloom. But really now: shirts come off (a lot), cowls get lifted, and it's all good, people. It's allllll goooooood.
Before we leave RAG for another late-era supervillain, let's savor the animated incarnation I was just talking about, shall we? (There's a good chance I've already posted this clip, because I've been saving it for this purpose for at least two years, but the initial tunic-removal scene bears repeating.)
Batman: The Cult. I know, I know, we're really not supposed to like this thing, because it's ultracynical and hyperviolent and cryptofascist, and all of that is true, but come on, how could I pass up a cover image like this?
To be honest, I lost interest after the second of four parts when this initially came out, but boy, that first issue was hot: Batman bound, broken, on his damn knees before his captor... Need I go on? Years later, I read an interview with Frank Miller about the thing; Miller hated it for all the reasons cited above plus the fact that the premise and even the panel structure owed so much to Dark Knight Returns, but as a BDSM stroke book, issue one is nearly unparalleled in mainstream comics.
I was amused to read writer Jim Starlin's explanation that ubervillain Deacon Blackfire was loosely inspired by the hypocritical right-wing demagogues of the Culture Wars of the late 80s (including the now freshly deceased Jesse Helms), because that certainly doesn't come through in the text. But no matter: Like the RAG story cycle, this makes an interesting pop culture lens on the issues of its time, both inside and outside the comics universe.
(PS. Between my last post here and this one, I caught a good-sized chunk of Skidoo on late-night TV. I'd heard for years about this legendary Hollywood-hippie-era bad-acid-trip of a movie, but had no idea its eclectic cast reunited Frank Gorshin, Cesar Romero, and Burgess Meredith--all directed by Mr. Freeze himself, Otto Preminger!)
Boy, time DOES fly between these posts, doesn't it?
I'll leave most of what I've been up to to your imagination, which may or may not be more exciting than the reality. But here are a few things I've collected since last we spoke:
•Couple of Bat/Joker slash images, courtesy of my British counterpart (and former sidekick):
•Couple more B/J (love that acronym!) Yaoi images, I forget the source (I'm betting it was the Anonymous Donor):
I'm not usually a big fan of the genre--I think it's a generational thing, akin to the way I just don't get manga or anime, or even karaoke--and I don't spend a lot of time fantasizing about Bat on Joker action, but these are pretty damned hot.
(Another tip o' the cowl to the Anonymous Donor, who now appears to provide all material for this blog. Although he has not yet donated the above item, in the flesh. Er, rubber.)
Every few years, some lunatic ties Batman to a chair for an entire issue and taunts him relentlessly. In my spotty memory, the lunatic role has been performed by Scarecrow (multiple times, not always limiting himself to a mere chair), one of several Clayfaces (that whole thing is way too complicated for me to sort out), and someone called the Obeah Man (and the Batman was actually Dick Grayson, if you want to get technical). Now comes Batman issue 674, which I believe is currently on newsstands, if you can find an actual newsstand anywhere.
The intentions are crystal clear on the cover:
That's right: the one and only Grant Morrison is behind this one! The story, which as far as I can tell is more or less self-contained, is a typically trippy Morrisonesque tale of hallucinations and false flashbacks and other twists of the sort that always get me going. But of course what really gets me going about the issue is imagery like this splash page--
--which, you will note, features one of my favorite bat-fetishes, the desecration (in this case, the absolute removal) of the chest emblem. The empty space allows some nice hair to poke through the hole, but that pales in comparison to what happens later. I'm cropping the next panel so as not to spoil anything, but then if you're reading a blog like this and you don't know that our hero is about to do something heroic, you are probably too young and/or innocent to be here at all:
Hooray to Mr. Morrison, and a big thank you to my Anonymous Donor for continuing to slip me the images that make my heart beat so.
From Bat-Blog, a link to a political ad campaign in Brussels depicting superheroes as various minorities. Interesting concept, but I'm a little too distracted by this blind Batman's bunching briefs. Can I get an "amen"?!
Update:The point of the ad campaign was to encourage voters to think about, say, blind people as capable of holding higher office--and, irony of ironies, I posted the above image shortly before New York state got its first sight-impaired, African American governor. Of course, mentioning that here only forces me to admit that if I were really serious about this blog's stated theme, I'd be waxing eloquent on the whole Eliot Spitzer saga, and I just don't have the time or energy to do so. But come on! The man who until about a week ago was frequently portrayed as practically a real-life superhero (or at least the new Eliot Ness, as we were often reminded) falls from grace into utter villainy? A saga worthy of Marvel comics! (Good thing I'm a DC guy from way back, and thus less interested in moral ambiguities than rippling muscles.)
I had heard nothing about this particular Batman fan film till tonight, but one look at Patrick Thistle's Deadlock and I'm sold. Why? Let me count the ways: *actual film, not a teaser or trailer for something that may never get made *cast of grownups, not a bunch of well-meaning kids (nothing wrong with kids making movies, but I start to feel uncomfortable if I am more than 30 years older than the main character, for several reasons) *compelling storyline that totally works with my understanding of the Bat *feels a bit like one of the Batman: Black & White stories--simple, direct, illuminating *genuinely holds my interest--I wondered how our hero was going to get out of the deathtrap *you heard me: deathtrap! deathtrap, deathtrap, deathtrap! at last! *very nice soundtrack, full of industrial/electronic noise (NIN, Aphex Twin, etc.), all used quite effectively *solid performances by the actors (who double as producer, director, and crew) who play Batman and the Riddler *one word: bat-stubble!
The sound is a bit hard to make out (allow me to recommend headphones), but that kinda works--the setting is claustrophobic and the film is grainy and it all feels just right. It's shot on a low budget, but then so are some of the most interesting films ever made.
But why take my word for it? Ladies and gentlemen, welcome to Deadlock, parts one...
I meant to write about Zimbardo here when I first watched this recent documentary about his infamous Stanford Prison Experiments among other "Human Behavior Experiments" demonstrating how ordinary people can be prompted to do extraordinarily awful things to each other. Never quite got around to that--but it turns out those two programs are merely the tip of the media iceberg. (Lots more TV and print appearances are catalogued here.)
I see, too, that Zimbardo is quite the master packager of himself--in addition to the site for the book, he's got a snazzy little home page and another devoted to the prison experiments, complete with slide show and discussion points. One such note does a nice job of decoding one of my favorite bits of police fetishism: "Consider the police procedures which make arrestees feel confused, fearful, and dehumanized. Note that this policeman is wearing sunglasses just like those we had our 'guards' wear and as did the head of the National Guards at Attica Prison during its bloody 1971 riot!"
"The world does not need another site that makes fun of comic books; there are many, and they are much more complete and exhaustive than this one. Who cares? It’s the internet. There’s room for all!"
Of course, for a spandex/deathtrap fetishist like moi, the images are a treat in themselves, but you won't want to miss webmaster James Lileks' high-larious captions/commentaries, like this and this. (Love the reference to Hal's "stupid-sexy-flanders-butt ... but that's inevitable when you're in good shape and wear underwear about in public.") Believe me, it's hard to pick just two examples from this "almost infinite amount of Superman-related crap, bad sci-fi, junky TV-show tie-ins, and the rest of the endless drecktitude."
Only downside: no easy way to navigate through the innards of the site; as far as I can tell, your only options are to start with the earliest or the latest post, which is a bit of a pain on repeat visits, or when you want to skip to a particular title or character. But hey: if you're visiting this particular corner of the blogosphere, you're probably not in any particular hurry to cure cancer or save the world.
Oh, and if you have the same soft spot for this stuff that I do, then you'll want to check out the other related mini-sites collected under one roof as "the Institute of Official Cheer."
I could swear I've written about the documentary Confessions of a Superhero here already, but I'll be damned if I want to track down the post to be sure. Still haven't seen it, but this intriguing review of the film reminds me it's out there, and on DVD now to boot.
Crystal meth, mob ties, incarceration...
... and that's just Batman.
(Pssst: more nice photos and some video clips on the official site; see link above.)
I know, I know: I should really compose a tribute to Heath Ledger. To tell the truth, I'm still kind of reeling from the news--what little of it there is at this point. So I'll save those thoughts for another post (ah, if only more people would hold off on reporting news when there is no news to report), and instead share a wonderful 3-D animation of an entirely different Joker. This is very brief, but features some quite nice bondage and beltlessness. You can't wrong with that combo in my book.
(Courtesy of the always-informative Bat-Blog. Check the post there for a darker alternate ending with cameos by two other superfriends.)
These fine gentlemen were the stars this past summer of A Vida Secreta de Batman e Robin, a Sao Paolo play about the Secret Lives of Batman and Robin. I learned about it here, and you can find more info and an extra photo here. (Don't read Portuguese? Not to worry--Babelfish to the rescue, although you'll encounter translations like this: "The home-bat discloses in the part that wanted exactly was to be the man-butterfly.")
Apparently Bat-actor Renato Pope received at least one death threat for daring to besmirch the sterling reputation (and assumed heterosexuality) of the caped crusader. I am of course intrigued, almost enough to consider booking a flight for Brazil, although I must say the whole premise seems awfully close to a notorious movie about another legendary detective and his live-in companion.
I've written here many times that comic books were my porn throughout my adolescence and into my twenties. So you can imagine how, er, excited I was to discover The SuperBuds, a site devoted to ongoing chapters in the video adventures of Batdude and Throbin (not to be confused with the stars of a somewhat similiar but not nearly as good porn film from the late 80s), along with Webguy, Superguy, Kitty Woman, and other spandex-clad heroes and villains bearing a striking resemblance to certain characters owned by Marvel and DC.
I've never paid to join a site in my life, no matter how tempted I might be, but there was no way I could resist this one. And I can honestly say what I've seen is worth the eleven or so bucks. There's no false advertising; "Batdude" is my kind of man, and you get to see him suiting up, fighting bad guys, being tortured and trapped, and, uh, doing all the stuff you've ever fantasized about him doing with other men, if that's the kind of thing you fantasize about. The outfit is the real nice gray one from SpandexMan. The cheap yellow rubber utility belt is disappointing, although it's easy enough to remove, which I'm happy to report happens a lot. It's also kind of weird that Bats can't afford gloves (since Throbin owns a pair), but I do have a thing for seeing the hero's bare hands, so I can't complain about the omission too loudly.
The first episode I watched had none of that cheezy music that plagues most video porn of the last 20 years or so, and the absence made me happy, but then I noticed it in lots of other episodes. Oh well. The tone is mildly campy, complete with the "POW!"s and "BAM!"s of the TV show, but it's much less annoying (and much hotter) than the aforementioned 80s Bat-Dude. So far, so good.
I don't really see the point in remaining subscribed year-round, because updates don't seem to get posted all that often. I envision quitting after a month, then coming back half a year later to see what I've missed.
Ah, yet another dream of my twelve-year-old self fulfilled in middle age. Life is good!
And by "good," of course, I mean: *Spandex (where appropriate; this lets the Spirit off the hook, though I'll be wanting the tight-fitting suit and frequent bare chests in his case) *beefcake actors, not movie stars *deathtraps, deathtraps, deathtraps (any sort of sublimated BDSM will do)
By coincidence, I stopped at one of these stores this afternoon, in hopes of finding a new Batman mask, since every single one of the maybe half dozen in my collection has some sort of major tear or other problem. Saw almost no bat-stuff, aside from one of those cheesy "muscle suit" costumes that no self-respecting crimefighter would ever wear. Availability seems tied to the movies--which means next year should be much greener pastures than this year.
It's just as well I didn't find one. I mean, could there be anything less sexy than this:
It's smart, it's funny, and it's sexy as hell: illustrator J. Bone has posted his Bat-parody in its entirety on his Man's Adventure blog. I've already got it in comic book form, but I'm more than happy to have a digital version, too.
Seems my man Green Lantern suffers a lot of head trauma.
Sometimes it's the bad guys:
Sometimes it's police brutality:
Sometimes it's just plain weird:
Now, at long last, the hilariously named Hal Jordan Head Injury Project compiles a whole bunch of this stuff. (First learned about it from this Scans Daily post.) I'm not particularly into the head-injury aspect per se, but I do enjoy a good image of Hal knocked cold or otherwise waylaid. There are over a hundred to choose from on the Flickr page, so let's wrap this up with one of my all-time faves, featuring a very wet and freshly unmasked Hal and his equally damp and undisguised pal Ollie:
But I started thinking: who would I want to see play Britt Reid (now that Van Williams is unlikely)? I"m picturing some kind of ruggedly handsome, hypermasculine-but-not-oafish rising star. I'm picturing, in fact, this guy:
That would be Jon Hamm, a.k.a. Don Draper on the new AMC series Mad Men, who by an amazing coincidence happens to be my current Imaginary Boyfriend.
Speaking of the Hornet, if you haven't seen this French fan film (in English), you might want to check it out--and the star, for that matter.
Fun fact: in this version, the bad guys seem to know the name of the man under the mask. Just for kicks, here's a production still of Messr. Manu Lanzi relaxing sans his signature hat:
While I'm at it, allow me to add my voice to those requesting (okay, most are demanding) a Hal Jordan Green Lantern over a John Stewart GL. Unless they mean the host of The Daily Show, in which case I am SO there.
Since I brought up Hal, let's enjoy a few panels of his bare flesh, courtesy of that new fave of mine, Shirtless Superheroes:
This episode of This American Life about a man who completely reinvented his life at least nine times would be interesting enough even if one of those lives did not include providing the voice of Batman in a series of record albums in the early 70s (which I swear I've heard). It's a wild story, and I guarantee you'll never hear that booming voice again without thinking of the Caped Crusader as a pot-smoking, child-terrorizing, gray-flannel-suit-wearing, failed-movie-star Christian fundamentalist.
Speaking of which, here's a fun fact about your humble narrator: many, many people over the years have praised the terrific visual joke in this scene...
... but I have to say, I don't just find it hilarious, I find it really hot. It's a fetish thing, of course: rubber gloves on top of the usual ones. I just wish the site contained a still of a shot just a minute or two later, in which the batphone rings and our hero takes both pair of gloves off one hand in order to answer it. This is historic, because it's the only time in the series (believe me, I've looked) in which we see Batman's ungloved hand.
Behold: Shirtless Superheroes, a blog devoted entirely to one of my favorite subjects. The writing, which tends to be pretty brief, isn't as high-larious as I would hope, but then that's probably the superhero-fetishist version of saying you read Playboy for the articles, I guess.
In the same spirit of brevity, I'll shut up and share two especially nice entries (out of many) with you:
You can probably deduce the search terms I used to find these, but sadly there were no posts there or anywhere else devoted to the Bat's five-o'clock shadow.
Dear lord, am I ever slacking on the blog front these days! I have no seasonal disorders to blame at the moment, just an overfull schedule that I will ... one day ... discuss here.
But I could delay blgging no longer when I was driving home a moment ago and heard a radio report on recent sightings of a flying, blue-suited Superman in Romania. (No surprise, the flying part interests me way less than the shiny blue tights, red boots, and red cape.)
As you may have deduced, the awful fog of S.A.D. is starting to lift and I'm getting back into my old groove again, including resuming work on this very blog from time to time. (I am under no illusion that I will ever be a daily poster for more than a couple of days at a time--I'm just not built for that.) And part of that work has included adding tags/labels for every single entry up to now, all the way back to April 2003. (Good thing I don't write here that often, or that would have taken months instead of three short evening sessions.)
It has been instructive to look back at earlier entries--haven't reread too many in detail, but I can still detect themes I explored for a while, then dropped, others that I meant to cover from the start but didn't get around to until much later, etc. When I do get around to writing here, it's at least true that I've stuck fairly close to my original intent and purpose for the blog.
It also occurred to me the other night that, far from "outgrowing" my adolescent superhero fetish, I've actually developed a rich fantasy life that indulges them on a fairly regular basis, both in the flesh and in the virtual realm. (I realize I haven't written here in a long time about my online roleplaying colleagues, so here's a quick update:) I still look to the Monk with the highest of regard, as my greatest teacher, even my Master in the pedagogical sense, although he and I haven't really extended our storyline in any significant way for perhaps a year now. He refers to this as my having "plateaued," and I think we both look forward to moving past that somehow, some day. In the meantime, I've got at least three fairly new ongoing "cases" involving villains I don't think I've even mentioned here. I've lost touch with some wonderful old friends, and some equally wonderful old enemies, but new ones come into play fairly regularly, and it's always great to reconnect with the estranged ones, too. In short, my bat-life is a lot like that of the comic-book Batman, who battles a mix of longstanding nemeses and Johnny-come-latelies, some of whom stick around and some of whom vanish after a single encounter. One major change is that I'm less interested in sticking to a single "continuity," as the comics geeks would say, than I was during the early stages of the Monk saga. His story overshadowed and interconnected with all the others; now I've got three or more storylines that don't intersect at all, and none of them involve M.
Most of my roleplay activities, and most everything else that I normally find energizing, was on hold for months while I just struggled against the urge to stay in bed for days on end. (Never actually DID stay there that long; just wanted to.) But, as I say, I'm getting my old self back, I think and hope, and it feels great to be alive again, as both Bruce Wayne and the Bat.
1. Thanks, [P-Mod Barney], for tipping me off to this hunky bit of bat-beefcake (er, make that butt-cake):
2. Thanks, Man's Adventure, for tipping me off to Antebellum Gallery's upcoming ToonFetish exhibition. Antebellum bills itself as "the only fetish art gallery in america!" (but didn't the artist Hudson do something like this in NYC in the early 90s?) and I certainly want to revisit the site--and ideally the brick-and-mortar gallery--as often as possible.
3. The Hub and I saw Spider-Man III last weekend. I was kind of dreading it, since I am apparently one of the minority who found the second installment unbearably slow, and one of my coworkers had warned me Part III was even longer and more soap-operaish and featured Spidey even less than that one. Glad I lowered my expectations, because I ended up pleasantly surprised. Yes, it was long and no, I really, truly would not give a shit about Peter Parker, Bruce Waye, Clark Kent, or the rest of their ilk if they didn't also lead double lives as sexily costumed crimefighters. But I was pleasantly surprised by the new movie, which is to say I found the black spidersuit really hot (especially when wet!) and the wee bits of spider-bondage titillating, and so on. The Hub, whose taste in men is roughly the exact opposite of mine, was sufficiently pleased by the presence of young Toby, Topher, and especially pouty-lipped Mr. Franco.
I will spare you the rest of my thoughts on the film, except to say that I think the whole megabudget superhero epic is pretty much played out by this point. Wouldn't it be refreshing if someone would make a simple, cheap, little indie movie about a guy who puts on weird clothes and fights bad guys? And, since I'm clearly delusional here, wouldn't it be lovely if said film were not an origin story but rather a tale that takes for granted the hero's backstory and simply follows his latest adventure, much as the average comic book and/or graphic novel does?
I know you've probably given up on me months ago, but here I am again, ready to leap--or perhaps crawl--back into the blogosphere and pick up where I left off. If you've been here before, you'll notice that I've finally bitten the bullet and upgraded to the new version of Blogger, something everybody else did half a year ago. I found the update a huge pain in the ass when I tried it elsewhere and avoided doing it here as long as possible. Still, this should make the link list a lot easier to navigate, among other things.
Enough shoptalk. Where the hell have I been, you may be wondering. And the answer is: concentrating on life in the daylight/B. Wayne world for the last few months, battling a few new villains in the bat-world, and so on.
Mainly, though, I've been having a fairly miserable winter. The older I get, the worse my semi-annual bouts with Seasonal Affective Disorder seem to grow. After a very happy and productive autumn, my body and mind just sort of shut down, as they are sometimes wont to do from January through April or so--not every year, but often enough. It's weird how closeted I am about depression in my day-to-day life, and even online; only the Hub, my shrink, and a handful of close friends know what I've been going through for the last four months. It occured to me a while back that since I write so openly here about my innermost fantasies,which are potentially far more incriminating, I could also blog a bit about what my psyche has been going through (with the same goal of letting similarly-wired readers know they're not alone)--but then I've just been so fucking depressed that I haven't been able to follow through until now. In fact, I haven't been able to do much more than sleep late, nap, go to bed early, and accomplish the bare minimum at my day job for weeks and weeks and weeks. The batsuit went unused for months, along with this blog and most other evidence of my bat-life. I'm not totally out of the darkness just yet, but I feel myself getting a little more energy as the sun stays out longer and longer. (Perhaps my archetypal comic book hero is not Batman, the Dark Knight, but Apollo, who draws his power from sunlight.)
I've been accumulating all sorts of things to write about here, and I have a lot of catching up to do. (I've also got a few ideas for how to jumpstart Beginnings again, too, so stay tuned.) If you're reading this, thanks for not giving up on me. I've tried hard not to give up on myself (tempting though that may be when I wake up several hours before I want to, my mind fully ready to go on the attack), and I'm looking forward to getting back into the groove again at long last.
I figured bloggers would be all over this by now, and maybe they are, but of the few I regularly check, only Warren Ellis has covered it as of now. (Commenters there have already beaten me to the punch with Aquaman jokes and hilarity over the name of the source publication, Practical Fishkeeping.)
Every fan of the 60s tv bat-show (and why else would you be here if you weren't one?) needs to head immediately to Little Steven's Underground Garage for an amazing two-hour tribute. I've never heard so many versions of Neal Hefti's theme song and ultra-obscure tie-in songs in my life. I'm listening right now both on an FM radio and streaming online, but you should be able to find it archived (episode 249, Jan. 7, 2007). NOT TO BE MISSED.
It only takes a second to raise a dollar. You're only allowed to light it once so tell your friends. Don't let this slow your fight for fair, accessible, equal health care, despite the overwhelming monopoly the drug companies hold.
In the early, more prolific days of this blog, I wrote several posts about the nature and appeal of masks, beginning here. Now an idle hour of googling other subjects has inadvertently led me to this meditation on masking in art and life from a blog on opera.
Batman makes an appearance, of course, which is how I found the illustrated mini-essay in the first place, but there are also references to tribal cultures, Mexican wrestlers, the KKK, and, of course, opera. (I hasten to add that it's during a performance of Pagliacci, the opera cited in the post, that the Joker nearly unmasks Batman on live television in the 60s series.) I didn't realize until I read the post that the word "mask" is opera-talk for "the region of the nose and cheeks, back up by the sinuses"--more or less the part of Batman's cowl that does not cover his face.
For years I have lusted [after] you and your brothers. I have lingered at the courthouse to watch you parked out front, lounging on your motorcycles, striding back and forth from the front steps of the courthouse. I have dawdled along parade routes just to catch a glimpse of your hard thighs and strong knees atop the oh so shiny jack boots. The very sight of you on the road, back straight, sunlight glinting off your boots, legs embracing steel makes me weak and breathless....
Actually, I'd argue that this woman thinks a lot like a gay man. Or maybe we both ...
Damn, now I'm too hot and bothered to finish writing.
This night is not going well.
Or else it's going very, very well indeed. All a matter of perspective.
PS. Allow me to conclude this entry with a photo contribution of my own:
PPS. Now that I look at the picture carefully, it strikes me that the cop I am surreptitiously checking out is himself scoping out a woman. Ah, the circle of life!
What do I do on a sleepless night? Turn to GlovdCopSF's site in search of his latest photo gallery. Upon discovering he hasn't updated that page since October (not that I am in any position to compain, mind you), I head to his amazing and extensive links page, where I stumble upon LeatherCops.US and several fine video clips, including this one:
Uniform fetishism so pure it borders on something Leni Riefenstahl would come up with, and I gotta say I like it.
Value added: I discover that YouTube is actually jam packed with similar material, including this delectable specialty offering that happens to scratch a particular itch of mine quite well indeed:
(Side note: I will never forget the day, about 6 or 7 years ago, when I walked into a local coffeehouse on the morning of a police funeral to find an entire room full of motorcycle cops from around the state all sitting with their boots off, relaxing before the motorcade. Hummina hummina!)
I have a passing, semi-academic interest in fetishes that I don't happen to share, perhaps because they shed light on the dynamic behind the stuff that does turn me on. Rubber dog masks (brought to my attention by a potential Robin-in-training) aren't entirely my cup of tea, fetishwise, but I admit there's something hot about these, especially when modelled by a tasty treat like this guy:
Unlike the characters in my on-again-off-again saga "Beginnings" (which is on again as of this morning), I've been a very busy bat/man lately--so much so that I haven't had time to write here nearly as often as I'd like. I'm hoping (yet again) to change that, so stay tuned. It's been a very full fall, full in terms of both activity and creative potential. When I don't write here for a while, it usually means I'm spending all my time actually doing things instead of writing about them, which is certainly the case this time, but I want to make more room for blog entries again, because reflecting on one's activities can be just as important as having the adventures in the first place. The challenge is carving out the time to do a bit of both. Never easy for me, even in the best of circumstances.
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